“If I lend you a letter w, you must return that same letter w, the oman in the bookshop said.”
[Essay] Metaphysical Detectives: Guilt, Grace, and Gaze in the World of Twin Peaks — Cam Scott
“Lynch and Frost are especially masterful where this feeling of estrangement is concerned.”
[Fiction] ‘The Ghost of You’ — Christopher Moore
“He may as well have fucked me into the mattress, he was so possessed with it.”
[Essay] ‘What’s Going On?’: The Moral Philosophy of A Serious Man — James Mcloughlin
“The Coens do not put characters such as Larry through the mill gratuitously. Rather, they fiercely interrogate aspects of their own identities in order to fully understand themselves and their world.”
[Essay] Bacon’s Hysteria, van Gogh’s Shoes: Deleuze and the Problem of Affect — Josh Mcloughlin
“In Bacon’s hysterical painting and Proust’s literature of memory, sensation works to peel apart affects and bodies, unmooring physical entities from emotional resonances, and ensuring that Deleuze’s attempt to grasp an ‘interminable presence’ remains frustrated”
[Essay] Kidnapping North Korean Cinema: Kim Jong-il, Shin Sang-ok and Choi Eun-hee — Hannah Streck
“Kim Jong-Il, the all-powerful fan-boy, kidnapped his favourite artists to make movies that would put North Korea on the cinematic map.”
[Essay] Grayson Perry and the Politics of Taste — Jonathan Webster
“Perry submerges himself in these cultures without judgment and, through his art, communicates and legitimizes alternative forms of cultural capital.”
[Review] The Year in Books 2019 — James Mcloughlin
“Coming up on Christmas, the 20-book mark seemed like a doomed dream.”
[Essay] Thought and Judgement in Hannah Arendt and Hamlet — Oliver Deasy
“Following her experience as a journalist at the trial of Adolf Eichmann, Arendt’s thinking about thought became more sophisticated as she began to consider the relationship between immoral actions and the activity of thinking.”
[Fiction] ‘The Fall of the Owl’ — Tim Harding
“The one thing she never felt while she was dreaming, she thought, was suspicion that she was in a dream.”
[Essay] ‘Becoming-Animal’: Idle Bodies in Marie Darrieussecq and Lucien Freud — Susannah Farrell
“In Darrieussecq and Freud, the possibility of becoming is tied to the in-human and to nothingness, so that idleness and animality, no longer nihilistic, render affirmation.”
[Essay] Luciano Berio and Fragmentary Composition — Jack Sheen
“Music’s ontological status has always been ambiguous due its lack of materiality, in contrast to physical artworks such as paintings, sculptures, and to some extent, films, whose unique, material appearance and existence differentiates them from other artworks and copies.”
[Fiction] ‘The Death of Cleopatra’ — Paul Murgatroyd
“Octavian sat there with winter in his eyes, calculating, controlling the narrative.”
[Essay] Unamerican Fictions: All that is Solid Melts into Weird — Louis Armand
“Thor Garcia’s novel is a swan song for an amnesiac America’s ‘innocence regained’, afforded by the supposed victory over the communist USSR; a kind of ‘fear and loathing’ in the age of hyperreality.”
[Essay] Lost in Chinatown: Confusion, Music, more Confusion — Jacob Cunningham
“Throughout the film, the music continues to mix elements influenced by the classic Hollywood string sound and jazz of the 1930s with movements that evince how Goldsmith pointedly relates his work to the contemporary musical world surrounding him in 1974.”
[Fiction] ‘Dog Thieves’ — Nick Power
“Hibbs had the thing grabbed by the dewlaps and its nose forced skyward.”
[Poetry] — James Mcloughlin
“Nothing soars here /
but flies under the radar, obscured.”
[Fiction] ‘Architecture in Reverse’ — Joe Bedford
“With a final burst of brilliance, the sun falls missile-like to the point where the sky ends and life begins.”
New Critique 