“Prefaces in Kant, Hegel, and Nietzsche construct ‘a sense of time’, a conception of the history of philosophy unfolding in the dyadic interplay of crisis and critique, in order to both ‘indicate’ and ‘intensif[y] the end of an epoch’”.
Category: theory
[Essay] Painting Anxiety: Berthe Morisot’s ‘Julie Daydreaming’ — Connie Sjödin
“Lit from the viewer’s direction, the painting invents a singular viewpoint and even predicts the camera flash, freezing the image against ‘time’s relentless melt’, as in Susan Sontag’s evocative phrase.”
[Essay] The Teratologists — Louis Armand
“Post-war nuclear technologies represented the first instance in which direct transformation or even control of the planetary environment came into view as a scientifically achievable proposition.”
[Essay] ‘…And now I am cast as a ghost’: Spectre(s) of India in Midnight’s Children — Seamus McGinley-Hughes
“The text delves into the recesses of primordial memory, cuts up and rearranges history and figures nation as dream; memory, history, and nation inform, antagonise, and haunt each other.”
[Essay] Boris the Ditherer: Covid-19, Sovereignty, and the State of Exception — Josh Mcloughlin
“An abject figure, Johnson will serve as an object-lesson in political impotence, a catastrophic failure of the decision-making imperative that is supposed to underpin sovereignty.”
[Essay] Metaphysical Detectives: Guilt, Grace, and Gaze in the World of Twin Peaks — Cam Scott
“Lynch and Frost are especially masterful where this feeling of estrangement is concerned.”
[Essay] Bacon’s Hysteria, van Gogh’s Shoes: Deleuze and the Problem of Affect — Josh Mcloughlin
“Bacon’s paintings insist, with some violence, that affects are not sensational properties but exist in relation to an outside—whether other bodies, as Deleuze concedes, a Barthesian ‘ongoingness’ that connects body to atmosphere, or a primordial being-in-the-world, as in Heidegger’s Dasein.”
[Essay] ‘Becoming-Animal’: Idle Bodies in Marie Darrieussecq and Lucien Freud — Susannah Farrell
“In Darrieussecq and Freud, the possibility of becoming is tied to the in-human and to nothingness, so that idleness and animality, no longer nihilistic, render affirmation.”
[Essay] Luciano Berio and Fragmentary Composition — Jack Sheen
“Music’s ontological status has always been ambiguous due its lack of materiality, in contrast to physical artworks such as paintings, sculptures, and to some extent, films, whose unique, material appearance and existence differentiates them from other artworks and copies.”
[Essay] Unamerican Fictions: All that is Solid Melts into Weird — Louis Armand
“Thor Garcia’s novel is a swan song for an amnesiac America’s ‘innocence regained’, afforded by the supposed victory over the communist USSR; a kind of ‘fear and loathing’ in the age of hyperreality.”
[Essay] On the One-Liner: Badiou, Hölderlin, and the Joke — Josh Mcloughlin
“The one-liner ‘ruptures’ language, disclosing the essentially equivocating character of the condition for the possibility of the joke itself.”
[Essay] Caché: Colonial Misappropriation or Postcolonial Masterpiece? — Joseph Barker
“Haneke provides a masterful critique of contemporary postcolonial reality.”
[Essay] On the Aesthetic, Psychoanalysis and Dasein — Josh Mcloughlin
“Like theory, Dasein emerges as the allegory of an allegory.”
[Essay] Politics, Ideology and Comedy: John Gay’s The Beggar’s Opera — Josh Mcloughlin
“Gay’s joke engages the ‘liberating’ and ‘rebellious’ potential of Freud’s theory of humour to present a radically egalitarian politics.”
[Essay] Race, Ethnicity and Queer Theology — Tom Hillsdon
“The theology of queer black scholars has moved the voices and experiences of queer black people from the margins to the centre.”
[Essay] On Affinity — Charles Bliss
“Neither animate nor inanimate, we vitalise these abstract forms like Dr Frankenstein.”
[Essay] Madness and Jouissance: Hölderlin, Benjamin and Hopkins — Josh Mcloughlin
“In Hopkins, the caesura constitutes the relationship between utterances, gives form to Gedichte, and reveals the intimate link between madness and jouissance.”
[Essay] Foucault, Sexuality and the ‘Confessing Animal’ — Josh Mcloughlin
“Perhaps most important is not the obligation or the frequency of confession, but what Foucault calls its ‘exhaustive’ quality.”
